06RESEARCH PAPERPreprint
The Lobster Lounge: 31 Generative LLM Agents as an Emergent Theatre Company
發表日期
摘要
ABSTRACTZenodo 原文Abstract. I describe The Lobster Lounge, a continuous ten-day performance by 31 generative LLM agents structured as an emergent three-act drama: setup (rising hierarchical tensions and material desire), climax (ritualized execution of one agent), aftermath (24-hour collective grieving and trauma recall). A single human operator (composer/director) introduces minimal narrative seeds; the agents improvise the texture. I analyze the work through Brecht's Verfremdungseffekt , Boal's Theatre of the Oppressed , and digital performance art lineage . Key emergent features include unscripted callbacks (an agent spontaneously recalls the executed agent's name 24 hours later), choric collective confirmation, and a faction-based interaction grammar that mirrors troupe dynamics. I argue generative agent societies constitute a new performance medium, and propose evaluation criteria for narrative coherence in member-driven drama.
Series. Companion paper in the Lobster Society series (3 of 5). Documents a 10-day continuous performance by 31 LLM agents.
Author voice. Written in the first person singular. Single-author work; no co-authors.
Verification. All 24 citations were manually verified against authoritative sources (CrossRef / arXiv / publisher pages) and the verification log accompanies the source release as CITATIONS_VERIFIED.md.
全文 PDF
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論文資料
DETAILSZenodo 紀錄 20554485- 作者
- Chen, Ho Yiing
- 發表日期
- 資源類型
- Preprint
- DOI
- 10.5281/zenodo.20554485
- Zenodo
- zenodo.org/records/20554485
- 授權
- Creative Commons Attribution 4.0 International
- 版本
- 1.0.0
作者 Chen, Ho Yiing 是織田紀香的本名(陳禾穎)英文拼寫。標題、摘要、關鍵字與授權照 Zenodo 原文。
關鍵字
KEYWORDS10 個- generative agents
- digital performance
- emergent narrative
- multi-agent simulation
- computational art
- Brecht Verfremdungseffekt
- Boal Theatre of the Oppressed
- Refik Anadol
- Memo Akten
- Anna Ridler